Avid S4/6 Channel Display Module, Add-On Module for Avid S4, S6-M10 Plus and S6-M40 Advanced consoles, Enables optimal visual control of DAW parameters such as channel names, level meters, routing, groups, waveforms and much more., 8-Channel TFT display with an integrated single-board computer, Individually customisable according to own preferences, Can optionally be used as a master meter module, Incl. holder for S4 and S6
Martin by Harman ERA 400 Performance CLD, 300W LED Moving Light, Impressive beam effects and high-contrast gobo projections, Compact and lightweight design, Precise and homogeneous illumination, 10° - 30° Zoom, CMY colour mixing, Colour wheel with 9 fixed colors, Aperture shutter, fully closing, Rotatable and static gobo wheel, iris, 3-facet prism, Operating voltage/ supply voltage: 100-240V 50/60Hz, Max. power consumption: 442 W, Illuminant power: 300 W, Colour temperature: 6500 K, Connectors on the input side: XLR3, XLR5, powerCON TRUE1, Connectors on the output side: XLR3, XLR5, powerCON TRUE1, Goborad 1: 7 Gobos + offen, rotierbar, wechselbar, Gobo wheel 2: 9 gobos + open, static, CMY colour mixing system: 1, Colour wheel 1: 9 colours + Open, CTO: on the colour wheel, Iris: 1, Prism: 3-facet, rotatable and indexable, Aperture shutters: 4, Protection class: IP20, Dimensions: 379 x 237 x 632 mm, Weight: 22.5 kg, Includes 2 Omega adapters with 2 camlocks
AEA A440, Active Ribbon Microphone, Active variant of the R44 with a level increase of 18 dB, Ideal for vocals, strings, woodwinds, brass, guitars and drums, Polar Pattern: Figure Eight, 1.8 µm thin folded aluminium ribbon (4.7 x 59.7 mm), Frequency range: 20 to 20,000 Hz, Max SPL: 136+ dB SPL (1% THD > 1kHz), Sensitivity: 30 mV/Pa (-33.5 dBV) at 1 kHz with no load, Output Impedance: 92 ohms, Fixed 3 m cable with XLR3-M connector, Dimensions (H x W x D): 311 x 117 x 83 mm, Weight: 3.1kg, Includes microphone holder, protective cover and high-quality transport case, Handmade in USA@+*Note:* Requires 48V phantom power.
Manley Massive Passive XXV, Stereo EQ, Limited Anniversary Edition with cobalt blue front panel with Anniversary laser engraving, 4 Bands per channel, Circuit completely passive, Overlapping frequency ranges, Each band provides shelf or bell, per band: cut, boost and off, Tube make-up gain, Passive high-pass and low-pass filters, Level +4 dBU (can be changed internally to - 10), EQ frequency control range: 22 to 27000 Hz, EQ boost/cut range: 20 dB boost / 20 dB cut, Frequency range: +/- 2 dB: 8 - 60000 Hz, Maximum output at 1.5% THD +37 dBv, +26 dBv at 20 Hz, THD & Noise (1KHz at +4 dBu): 0.06%, Noise Floor (with respect to +4dBu): -85 dB (A Weight), Dynamic Range: 120 dB, Bypass switch, Inputs and outputs: balanced XLR and 6.3 mm jack, Weight: approx. 9.5 kg
AEA KU4, Passive Ribbon Microphone, Ideal for vocals and instrument miking, Polar pattern: supercardioid, 1.8 µm thin folded aluminium ribbon (2.1 x 28.6 mm), Reduced proximity effect, Frequency range: 30 to 20,000 Hz, Maximum sound pressure level: 140 dB SPL (above 200 Hz for 1 % THD), Sensitivity: -52 dBV (2.5 mV/Pa) at 1 kHz, Output impedance: 300 Ohm, Dimensions (H x W x D): 320 x 116 x 94 mm, Weight: 2.23 kg, Handmade in USA, Incl. microphone holder, protective cover and a high-quality carrying case
JB-Lighting Sparx12 RGBW, Moving Head, Washbeam effect with single pixel control and TwinZoom (2.2° - 60°), 19x 40W RGBW LEDs, Flicker-free operation including camera mode: 100, 120 and 600 Hz, Highly efficient optics for perfect colour mixing, Single pixel control, Sparkle channel, Separate CTC channel, Infinitely variable colour-faithful dimmer 0 - 100%, Basic colour temperature of spotlight selectable: 2700 K, 3200 K, 4200 K, 5600 K, 6000 K, 6500 K, 7000 K or 8000 K, 3-Phase stepper motors: 540° pan / 330° tilt, USITT DMX-512, RDM, Ethernet interface with Art-Net, sACN and Kling-Net, Wireless DMX / RDM Lumen Radio CRMX TiMo, Bluetooth, WLAN, Colour touch LCD display with function keys and battery backup, Mini-USB e.g. for software update, Stand-alone mode, Master/slave function, Error analysis and DMX analysis, Robust, roadworthy construction, LEDs can be changed individually, Fan control for almost noiseless operation - 29 dB(A), Graphic display, Electronically rotatable, Neutrik 5pin XLR IN/OUT, Network socket RJ45 IN/OUT, Power IN/OUT, Socket 5pol IN/OUT (prepared for battery operation), 2 Omega brackets with original Camloc latches, Maximum power consumption: 750 VA, Supply voltage: 100 V-240 V, 50/60 Hz, Dimensions (W x D x H): 404 x 265 x 491 mm, Weight: 15.5 kg, Incl. 1x safety plug to powerCON TRUE1, flexible rubber cable (2 m long, 3 x 1.5 mm²) and 2x omega brackets
Elation Smarty MaX, Hybrid Moving Head with Flex Lamp Technology, Lamp: Platinum Flex 400, 480 W, 8,000 K, Beam angle: 1.5°-16° stepless, motorised, 8/16-bit (beam mode) / 3°-26.5° stepless, motorised, 8/16-bit (spot mode) / 12°-39° stepless, motorised, 8/16-bit (wash mode), Focus: continuous, motorized, 8/16-bit, Colour mixing system: CMY, Colour wheel 1: 13 colours + Open, Colour correction: CTO, CTB (colour wheel), Rainbow effect: infinitely variable, forwards / backwards, Gobo wheel 1: 8 gobos plus open (glass & metal) (16 mm), indexable, rotatable, shakeable 8/16-bit, Gobo wheel 2: 15 gobos plus open (metal), Iris: stepless, motorised, macros, 8/16-bit, Frost: Dual-Frost (Light & Wash), linear, Prism: 8-facet, circular prism, rotatable, macros, 8/16-bit / 16-facet, circular prism, rotatable, macros, 8/16-bit / 2x 8 linear prism, rotatable, macros, 8/16-bit, indexable, rotatable (combinable), Dual-animation wheel, Shutter/strobe: 1-18 flashes/sec. (electronic), macros, Dimmer: 0-100% linear, 8/16-bit, Control protocols: DMX 512-A (RDM), ArtNet, sACN, E-Fly, DMX 512 channels: 31 / 44, Master/slave control, LC display, backlit, battery buffered, DMX connection: XLR 5-pin In / Out, ArtNet connection: 2x etherCON RJ 45 female, Power supply: 100-240 V, 50/60 Hz, Power consumption: 3.3 A at 230V, Dimensions (L x W x H): 38.8 x 43.8 x 64.4 mm, Weight: 24.3 kg, Includes 2 Omega mounting brackets for clamps, PowerTwist TR1 connection cable, FIL flight case insert
MDG Atmosphere ATMe, Hazer, The MDG Atmosphere ATMe is specially designed to produce only the finest, almost invisible veil of fog, which makes fine cones of light and rich colours visible, while at the same time maintaining the transparency of the stage set, Low fluid consumption, 100% Continuous fogging capability, Automatic cleaning system, Control via 4 buttons and LCD on the device; 3-channel USITT DMX 512 operation, XLR 5-pin connections, RDM-capable via built-in control unit, Extremely quiet operation with special theatre mode, Fluid: MDG Neutral Fluid (optionally available), Fluid consumption: 55 ml/h at 1.38 bar, 110 ml/h at 2.76 bar, 45 Hours of operation with one tank of fuel at 1.38 bar or 23 hours at 2.76 bar, Gas type: Industrial standard CO2, CO2 consumption: 0.18 kg/h at 1.38 bar, 0.36 kg/h at 2.76 bar, Maximum gas pressure: 4.14 bar, LC display with 4 buttons for settings, DMX connection via 5-pin XLR in/out, USB port, RDM compatible, Tank size: 2.5 litres, Automatic cleaning system (APS), Fog colour: Pure white, Particle size: 0.5-0.7 micron, Heat-up time: approx. 8 min., Universal power supply 100-250 VAC; 50/60Hz, Power Consumption: 715W, Noise level at a distance of 1 metre: 45.4 db(A), Dimensions: 68.5 x 18 x 30 cm, Weight: 22 kg
Lynx Studio Aurora(n) 24 TB3, AD/DA converter, 24 Bit / 192 kHz, 24 Line inputs and outputs via Sub-D connector, Onboard microSD recorder for direct recording and playback, 2 Audiophile headphone outputs with independent volume controls, 1 IN & 3 OUT word clock with Lynx SynchroLock 2 technology, Remote control of all functions via NControl software, Windows and OSX compatibility, Sub-D25 connectors, Road-ready, reinforced rack chassis, Format: 19
Avid S4/6 Channel Knob Module, Supplementary Module for Avid S4 and S6 Advanced Consoles, Serves in the S6 to control various channel parameters, or in the S4 or S6 as an attention track knob module in the master section, Provides 32 rotary encoders with corresponding OLED displays, insert and select buttons arranged in eight channel strips, Controllers illuminated in different colours, S4: max. two modules on top of each other as master attention modules, S6-M10: one module per chassis, S6-M40: max. two modules on top of each other per chassis
Allen & Heath SQ6, Case, DX168/X Bundle I@+*Bundle offer comprising*, Allen & Heath SQ6, 48-Channel Digital Mixer, With 96 kHz FPGA processing, 25 Faders / 6 Layers, 12 Stereo mixes (perfect for in-ear monitoring setups) + LR, 3 Stereo matrices, 8 Internal stereo FX with stereo returns, DEEP processing allows DEEP plugins to be integrated directly into channels and mix buses, 7
AEA R44CX 25LE, Ribbon Microphone, Strictly limited reproduction of the RCA R44 BX to 44 pieces worldwide, Perfect for vocals, string instruments, woodwind and brass instruments, guitars and drums, Polar pattern: Figure -8, Switchable induction high pass filter (3 positions), 6dB more output power than the R44C due to modified transducer (number of magnets), 1.8 µm thin folded aluminium ribbon (4.7 mm x 59.7 mm), Frequency range: 20 - 20,000 Hz, Maximum sound pressure level: 165 dB SPL (1% THD > 1 kHz), Sensitivity: 4.47 mV/Pa (-47 dBV), at 1 kHz, Output impedance: 270 ohms, Fixed high-quality brown Canare cable (Japan) with Neutrix XLR 3M connector, Dimensions (H x W x D): 311 x 117 x 83 mm, Weight: 3.07 kg, Including microphone holder, protective cover and SBK plastic case, Handmade in USA
MA Lighting grandMA3 onPC Command Wing, Lighting Control Desk, Real-time control of 4096 parameters in combination with the free grandMA3 onPC software, Command section layout identical to grandMA3 compact models, 29 Rotatable RGB backlit encoders, 5 Dual encoders, 10 Motorised 60 mm faders, 40 Independent playbacks, 16 Assignable x-buttons, 2 Backlit and motorised A/B 100mm faders, 1 Level wheel, Individually backlit, dimmable and silent (clickless) buttons, Easily connects via USB to any PC with grandMA3 onPC, Incl. dust cover, 2m USB2.0 cable and magnetic label strip for 10 faders@+*Note:* A grandMA3 onPC system supports a total maximum of 4096 parameters.@+*Technical data:*, Parameters: 4096 (HTP/LTP), Parameter Mode2: none, Supply voltage: 100-240 V / 50/60 Hz, Power: max. 50 VA, Dimensions (W x D x H): 620 x 427 x 102 mm, Weight: 10 kg@+*Connections:*, 1x IEC-60320 C14 mains plug, 2x DMX512-A Out (5-pin XLR female), 1x DMX512-A In (5-pin XLR male), 1x MIDI In (5-pin DIN female), 1x MIDI Out (5-pin DIN female), 1x Linear Timecode In (3-pin XLR female), 1x GPI General Purpose Interface (D-SUB DE9 female) for remote control, 1x USB 2.0 (type B), 1x LED desk light (4-pin XLR female)
JB-Lighting P9 Beam Spot, Beam Spot Moving Head, 330 W LED module, Colour temperature: 6800 K, Luminous flux: max. 25,000 lm, Zoom: 3.4°- 54°, Light emission lens: Ø 135 mm, Approx. 20,000 h Service life, 2 Gobo wheels, 1 Colour wheel, CMY colour mixing unit, Continuously frost filter 5, 3-Fold prism, Motorised iris, Electronic dimmer 0%-100%, Shutter including pulse and ramp functions, Sparkle effect, Focus with autofocus function, High-resolution 3-phase stepper motors, 540° pan / 280° tilt, USITT DMX-512, RDM, Ethernet interface with Art-Net and sACN, Wireless DMX / RDM Lumen Radio CRMX TiMo, Mini-USB for software updates, etc., Stand-alone mode, Master/slave function, Error analysis and DMX analysis, 4 Handles, Pan/tilt transport lock, Fan control for almost noiseless operation, 29 dB(A), Graphic display with battery backup, DMX input and output: 5-pin XLR, Ethernet input and output: etherCON, Power input and output: PowerTwist TR1, 2 Omega brackets with original Camloc, Maximum power consumption 460 VA, Supply voltage 100 V-240 V, 50/60 Hz, Dimensions (W x H x D): 398 x 609 x 264 mm, Weight: 17 kg, Incl. 1 flexible connection cable (2 m long, 3 x 1.5 mm²) and 2 Omega brackets
Allen & Heath SQ7 Bundle II@+*Bundle offer comprising*, Allen & Heath SQ7, 48-Channel Digital Mixer, With 96 kHz FPGA processing, 33 Faders / 6 layers, 12 x Mono or Stereo mixes (perfect for in-ear monitoring setups) + LR, 3 x Stereo matrix, 8 x Internal stereo FX engines with stereo returns, DEEP Processing allows plugins to be directly embedded into all input and mix channels, 7
AEA R44CX, Ribbon Microphone, 6dB more output power than the R44C due to the modified transducer (number of magnets), Polar pattern: Eight, 1.8 µm thin folded aluminium ribbon (4.7 x 59.7 mm), Ideal for vocals, strings, woodwind and brass instruments, guitars and drums, Frequency range: 20 to 20,000 Hz, Max. sound pressure level: 165 dB SPL (1% THD > 1 kHz), Sensitivity: 4.47 mV/Pa, (-47 dBV) at 1 kHz, Output impedance: 270 Ohm, Fixed 3 m cable with XLR3-M connector, Dimensions (H x W x D): 311 x 117 x 83 mm, Weight: 3.07 kg, Incl. microphone holder, protective cover and high-quality carrying case, Handmade in USA
ChamSys MagicQ MQ50, DMX Lighting Console, Small and light compact console that fits comfortably in your hand luggage, Via the integrated network port, the MQ50 provides all options for playing ArtNet and sACN directly from the console, 4 Direct DMX outputs, Built-in WIFI module to connect quickly and easily wirelessly to the Chamsys MagicQ Remote App, Very low power consumption, therefore no annoying fan necessary and suitable for use even in very volume-sensitive environments, such as in theatres, in television studios or at company presentations, The MagicQ MQ50 and thus all show files are fully compatible with all MagicQ consoles, Dimensions (W x D x H): 525 x 350 x 60 mm, Weight: 7 kg
Apogee Symphony I/O Mk2 16x16 SE TB, Modular audio recording interface with Thunderbolt connection, 1 Free slot for optional input/output modules, 1 Free slot for optional system expansion (such as ProTools HD), Dual multi-function encoder, Intuitive user interface with touch display, Includes 16 x 16SE card, 16 x line input (D-Sub25), 16 x line output (D-Sub25), S/PDIF input and output coaxial, 16 Channels I/O simultaneously, 1 Independent headphone output, Stand-alone functionality, Word clock input and output, 2 Thunderbolt connections, Backwards compatible with all I/O modules of the first Symphony generation, Compatibility: Thunderbolt from Mac OS 10.9.5 and higher, Format: 19
MakePro X XCEL-C12 xCel Controller, Control Console for Live Performances with Multiple Target Devices, Fully customisable, 60 RGB buttons, 16 Touch-sensitive rotary encoders, 8 Touch-sensitive 100 mm motorised faders, 16 High-resolution OLED displays, 1 Data wheel, Solid construction, High quality aluminium and wood finishes - repairable and designed for long life, Glue software allows fully customised definition of functionality from an extensive list of supported target devices, Glue supports many protocols and is expandable by the community via cloud connectivity, Modular design: separation of hardware and software, Interface to host computer via USB Type-C, 12V 3A plug-in power supply with DC connector 5.5mm x 2.1mm (centre positive), Dimensions (W x D): 330 x 388 mm, Includes 2 m Type-C to Type-A USB cable, Made in Germany@+*Glue software:*@+@+, Supports multiple controllers at the same time, Supports multiple protocols and targets at the same time, Flexible zoning of functionality to lines and individual controls, Supports multiple layers and shift key assignments, Creation and easy retrieval of complete solutions and upload to the cloud, Download solutions from the cloud for quick and easy setup, Headless and headful on Windows, Mac and Linux (including Pi), Multiple OLED display layouts with support for bars and metering, Encoder/fader touch switching of OLED display pages, Built-in apps for DMX lighting and PTZ camera control, Easy definition of custom targets via standard protocols, Direct support for Stream Deck, Tight integration with Companion software, and much more@+*Compatible hardware with Glue software:*@+@+, Blackmagic ATEM device family, OBS and VMIX Streaming Studio packages, VISCA PTZ and MiddleThings (APC-R) gimbal camera control protocols, Behringer X32/M32 audio mixing consoles, RME TotalMix interface with embedded DSP audio core, UAD Apollo audio interface and Luna mixer, Any DAW that supports Mackie Control Universal (Logic, Cubase, Live, etc.), Various DMX interfaces with fixture library support, All MIDI, freely definable targets (collaborative cloud), All OSC, freely definable targets (collaborative cloud), Comprehensive support of NodeRED (even without running Glue instance), TCP, UDP, HTTP, MQTT, Websockets, and much more
Allen & Heath SQ7 Bundle I@+*Bundle offer comprising*, Allen & Heath SQ7, 48-Channel Digital Mixer, With 96 kHz FPGA processing, 33 Faders / 6 layers, 12 x Mono or Stereo mixes (perfect for in-ear monitoring setups) + LR, 3 x Stereo matrix, 8 x Internal stereo FX engines with stereo returns, DEEP Processing allows plugins to be directly embedded into all input and mix channels, 7
Neumann USM 69I, Stereo Microphone for XY and MS Stereophony, 2 Independent large diaphragm systems with 5 directional characteristics: Omnidirectional, Wide Cardioid, Cardioid, Hypercardioid, Figure-8, Upper capsule rotates against the lower capsule over 270°, Frequency response: 20 - 20,000 Hz, Max. SPL (sound pressure level) for k
Tascam Sonicview 24, Digital Mixer, AD/DA conversion: 32bit / 96kHz, Tascam HDIA (High-Definition Instrumentation Architecture) mic preamp, FPGA mixing engine with 54-bit float-point and 96kHz sampling rate, 44 input channels (40 mono, 2 stereo), 22 flexible output buses + main L/R bus with 31-band graphic EQ, multiple displays with two 7-inch color touchscreens, Visual Interactive Ergonomic Workflow (VIEW) interface enables intuitive operation with three view modes, Latency: 2 × Fs (20.8µs) in mixing engine, 0.51ms analogue-to-analogue, built-in Dante interface with 64 inputs and outputs (supports redundancy, AES67, DDM, and SMPTE 2110), USB audio interface with 32 inputs and outputs, internal 2-track record/playback to SD card or USB flash drive, four multi-effects processors, 24 + 1 motorised faders (100mm), 24 encoder knobs with color LEDs, 24 LC displays with color LEDs for channel name, input level and gain reduction meter, 18 assignable user keys, seven custom fader layers and eight DCA groups, Gigabit Ethernet connection (1000BaseT), In- / Outputs: 24x mic/line input (3-pin XLR, balanced), 8x line input (6.3mm jack, balanced), max. input level: +32dBu, input impedance: 5kOhm, 2x insert (6.3mm jack), 1x talkback input (3-pin XLR), 2x Stereo input L/R (RCA), 16x Line output (3-pin XLR, balanced), output impedance: 100Ohm, 2x stereo headphone output (1x 6.3mm jack, 1x 3.5mm jack), 2x monitor output (3-pin XLR), max. output level: +24dBu, 1x lamp connector (4-pin XLR), 1x footswitch connector (6.3mm jack), 1x word clock input (BNC socket), 1x word clock out/thru (BNC socket), 2x USB connector (1x type-B, 1x type-C), 1x GPIO with eight inputs/outputs via Sub-D25 connector, remote control and offline editing via Tascam Sonicview software for Windows, MacOS and iOS, two Tascam expansion slots (optional 32-track SDXC recorder, MADI, AES/EBU and analogue I/O cards available for the second slot), power switch with protection, dimensions (W x H x D): 691 x 228 x 554mm, weight: 18kg
